Editor – Brian Philip Davis Hokum editor Brian Philip Davis teams up once more with director Damian McCarthy. Prior to this film the two joined forces to craft McCarthy’s supernatural thriller, Oddity. This time out, they double down on the dread […]
Editor – Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the […]
Editor – Joel Negron ACE, Sound Designers – Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film […]
Editor – Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme. But his latest film marks the […]
Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than […]
Editor – Nigel Williams How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee. Having first worked with McGee on her hit series, Derry Girls, the two are back together for a […]
Editors – Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But […]
Editors – Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan’s Breaking Bad, Better Call Saul and now his new sci-fi hit […]
Editor – Stacey Schroeder ACE Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn’t know it from the amazing slight of hand she demonstrates when cutting a movie. Coming into this film never having worked […]
