Editor – Geraud Brisson, ACE Being Heumann editor Geraud Brisson, ACE returns to The Rough Cut for a film that reunites him with CODA director Siân Heder. Their latest collaboration brings disability rights activist Judy Heumann’s story to the […]
Editor – Dody Dorn, ACE For Heart of the Beast, editor Dody Dorn, ACE was tasked with cutting a survival thriller built around one man, one dog and an unforgiving wilderness. Reunited with director David Ayer more than a decade […]
Editor – Joe Murphy and Music Editor – Scott Hedrick Resident Evil editor Joe Murphy and music editor Scott Hedrick join The Rough Cut to discuss the picture and music editorial work behind Zach Cregger’s reinvention of the legendary […]
Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the […]
Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space […]
Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world […]
Spider-Man: Brand New Day Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom Spider-Man: Brand New Day editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sansom join The Rough Cut to discuss helping director Destin Daniel […]
Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only Murders in the Building. The series has to move between large-scale […]
