Lanterns
Editors – Vikash Patel, Matthew V. Colonna, ACE and Emily E. Greene, ACE Lanterns editors Vikash Patel, Matthew V. Colonna, ACE and Emily E. Greene, ACE return to The Rough Cut to discuss shaping an HBO series that brings the […]
Heart of the Beast
Editor – Dody Dorn, ACE For Heart of the Beast, editor Dody Dorn, ACE was tasked with cutting a survival thriller built around one man, one dog and an unforgiving wilderness. Reunited with director David Ayer more than a decade […]
Resident Evil
Editor – Joe Murphy and Music Editor – Scott Hedrick Resident Evil editor Joe Murphy and music editor Scott Hedrick join The Rough Cut to discuss the picture and music editorial work behind Zach Cregger’s reinvention of the legendary […]
The Musical
Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the […]
Finding Emily
Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space […]
The End of Oak Street
Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world […]
Spider-Man: Brand New Day
Spider-Man: Brand New Day Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom Spider-Man: Brand New Day editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sansom join The Rough Cut to discuss helping director Destin Daniel […]
Avatar: The Last Airbender – Season 2
Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only Murders in the Building. The series has to move between large-scale […]
