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Black Adam – Editor, Mike Sale ACE
BLACK ADAM editor, Mike Sale ACE is no stranger to the action comedy genre – emphasis on comedy. With films to his credit such as; FORGETTING SARAH MARSHALL (2008), BRIDESMAIDS (2011), THE HANGOVER II (2011), WE’RE THE MILLERS (2013), CENTRAL INTELLIGENCE (2016), SKYSCRAPER (2018), SPENCER CONFIDENTIAL (2020) and RED NOTICE (2021), it should be obvious to anyone that Mike knows how to edit movies about cracking jokes and breaking bones. But the latest entry in the DCEU marks Sale’s first venture into comic book cinema. Reunited for the fourth time with megastar Dwayne “The Rock” Johnson, Mike brought his signature editorial enthusiasm and aesthetic to BLACK ADAM.
The story of BLACK ADAM begins in ancient Kahndaq, where a man named Teth Adam was bestowed the almighty powers of the gods. After using these powers for vengeance, he was imprisoned, becoming Black Adam. Nearly 5,000 years have passed, and Black Adam has gone from man to myth to legend. Now free, his unique form of justice, born out of rage, is challenged by modern-day heroes who form the Justice Society: Hawkman, Dr. Fate, Atom Smasher and Cyclone.
In our discussion with BLACK ADAM editor, Mike Sale ACE, we talk about:
- How size matters in the editing suite
- Taking acting classes but staying away from actors
- Comedy, comedy, comedy, exposition, comedy
- Stephen King’s secret weapon for editors
- Using “yacht rock” to make violence fun
The Credits
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