Unfiltered Talk about Unscripted TV Editing
Recorded prior to EditFest LA ’19, ACE Editors Molly Shock, Maura Corey, Jamie Nelsen and Tom Costantino hold court on the topic of Demystifying the Differences Between Scripted and Unscripted TV Editing.
Recorded prior to EditFest LA ’19, ACE Editors Molly Shock, Maura Corey, Jamie Nelsen and Tom Costantino hold court on the topic of Demystifying the Differences Between Scripted and Unscripted TV Editing.
For this week’s episode of The Rough Cut, we’re joined by editor Dean Zimmerman, ACE. Dean talks about… – His history and ongoing work with director, Shawn Levy – Working on location for the new Ryan Reynolds film, “Free Guy” […]
Editor Evan Schiff is in studio to talk about his work on John Wick: Chapter 2 and John Wick: Chapter 3 – Parabellum. Evan talks about… – Getting and working with agents – Avoiding mid-motion cuts – Working with “stunt […]
Today on the Rough Cut, we get to know Tom Cross, ACE, Oscar-winning editor of Whiplash, La La Land and First Man. Tom tells us about… – Breaking into the film business via commercial editing – The advantages of being […]
In today’s episode of The Rough Cut, editor Fred Raskin, ACE drops by to talk about his new film with Quentin Tarantino…Once Upon a Time in Hollywood. Fred tells us about: – Cutting the movie within the movie – […]
In this episode of The Rough Cut, we talk with editor Adam Gerstel and assistant editors Rachel Schreibman and Dave Matusek from The Lion King. Adam, Rachel and Dave talk about… -Refining the VR camera tech from The Jungle Book […]
In this edition of The Rough Cut, we podcast al fresco with Eddie Hamilton in Berlin, Germany to talk about his work on Mission:Impossible – Fallout. Eddie shares with us his thoughts on… – The last steps to finishing a […]
The Rough Cut podcast returns with editor, Dan Lebental ACE to talk about his new film, Spider-Man:Far From Home. In this episode we talk about…. -The benefits of editing in surround sound -Using Media Composer for more of the sound […]