Recorded live in front of a “studio audience” at the National Association of Broadcaster’s convention, editor Bob Ducsay (The Mummy, Looper, Knives Out) discusses his work on director Rian Johnson’s entry into the Skywalker saga, Episode VIII – The Last […]
The team from Blue Sky Studios is back with a new film this holiday season! Editors Randy Trager and Chris Campbell are on hand to bring us further into the world of animated features with a deep dive on their […]
Happy Holidays, Post Production Fans! A bonus Rough Cut podcast featuring Elf editor, Dan Lebental ACE. Originally recorded in 2013, ten years after Elf made its debut in theaters, we chatted with Dan about his memories of working on the […]
42 years, 9 films, 3 trilogies – and they all come down to this…Star Wars: The Rise of Skywalker. Editor Maryann Brandon, ACE calls in from her editing suite on Endor to talk to us about cutting the last chapter […]
In December 1989, the Avid 1 / Media Composer was released to the public for the first time; launching a revolution in film and video editing. For this week’s Rough Cut podcast we talk with Avid’s founder, Bill Warner to […]
For over seven years editor Jeff Ford, ACE and assistant editor Robin Buday have been bringing the Avengers to life on the big screen, culminating in the biggest film of 2019, Avengers: Endgame. Jeff and Robin call in from on […]
Breaking Bad and Better Call Saul editor, Skip Macdonald ACE guest stars on this week’s Rough Cut podcast to talk about cutting the Netflix original film, El Camino – A Breaking Bad Movie. Skip describes the unique aesthetic of the […]
Editors Mike McCusker, ACE and Andrew Buckland open up their edit room to The Rough Cut to talk about their new film with director James Mangold, Ford v Ferrari. Mike and Andrew get into: Setting up the stakes for the […]
A special “Book Club” edition of The Rough Cut! Editor, Paul Hirsch ACE shares stories from his new autobiography. Hear Paul tell us all about: Finding his future in a French movie theater Brian De Palma’s filmmaking grammar Cutting the […]
