Mulan editor David Coulson is no stranger to working on films about young girls overcoming adversity and societal customs that favor sons over daughters. You only have to go back to his first collaborative effort with director Niki Caro and […]
For twenty years editor Terilyn A. Shropshire ACE and director Gina Prince-Bythewood have worked hand in hand to entertain and inspire audiences with films dating back to Gina’s directorial debut, Love and Basketball. While their new Netflix hit, The […]
Just over forty years ago, Paul Hirsch ACE took on the monumental challenge of editing The Empire Strikes Back, the sequel to a film that not only redefined the word “blockbuster” but was also a worldwide cultural phenomenon. True to […]
On this week’s episode of The Rough Cut, editors Tyler Cook, Amelia Allwarden and Phyllis Housen bring the heat to Hulu’s Little Fires Everywhere. The team talks about; not letting the characters get too “hot” too soon, their approach to […]
In 2019 Writer / Director Rian Johnson’s Knives Out surprised and delighted audiences with his modern take on the “whodunnit” mystery movie. To help deliver this wickedly stylish story, Rian turned once again to editor, Bob Ducsay. Having worked together […]
Click here to hear the full audio interview with Debbie Berman, ACE. Matt Feury Welcome, Debbie. Thank you for joining us today. Debbie Berman Happy to be here. Thanks for coming out everyone. Matt The movie’s doing quite well. Debbie […]
When writer/director Leigh Whannell brought editor Andy Canny his ideas for a whole new take on The Invisible Man, Andy’s main concern was the prospect of objects floating around the screen looking silly. The results at the box office have […]
Editors Bill Hoy, ACE and David Heinz join us on this week’s Rough Cut to talk about teaching an old dog some new tricks on, The Call of the Wild. Having cut their “vfx teeth” together on Dawn of the […]
From out of the Rough Cut archives comes this previously unreleased on-set interview with Baby Driver editor, Paul Machliss. Recorded while the action is literally happening on location, Paul details the unique workflow he employed for Edgar Wright’s music video […]
