
The Great
Of all the different types of projects to cut, comedy is notoriously the most challenging. A few frames in either direction can be the difference between a joke falling flat or the audience falling out of their seats. Editor Anthony […]
Of all the different types of projects to cut, comedy is notoriously the most challenging. A few frames in either direction can be the difference between a joke falling flat or the audience falling out of their seats. Editor Anthony […]
On this week’s episode of The Rough Cut, editors Tyler Cook, Amelia Allwarden and Phyllis Housen bring the heat to Hulu’s Little Fires Everywhere. The team talks about; not letting the characters get too “hot” too soon, their approach to […]
In 2019 Writer / Director Rian Johnson’s Knives Out surprised and delighted audiences with his modern take on the “whodunnit” mystery movie. To help deliver this wickedly stylish story, Rian turned once again to editor, Bob Ducsay. Having worked together […]
Click here to hear the full audio interview with Debbie Berman, ACE. Matt Feury Welcome, Debbie. Thank you for joining us today. Debbie Berman Happy to be here. Thanks for coming out everyone. Matt The movie’s doing quite well. Debbie […]
When writer/director Leigh Whannell brought editor Andy Canny his ideas for a whole new take on The Invisible Man, Andy’s main concern was the prospect of objects floating around the screen looking silly. The results at the box office have […]
Editors Bill Hoy, ACE and David Heinz join us on this week’s Rough Cut to talk about teaching an old dog some new tricks on, The Call of the Wild. Having cut their “vfx teeth” together on Dawn of the […]
From out of the Rough Cut archives comes this previously unreleased on-set interview with Baby Driver editor, Paul Machliss. Recorded while the action is literally happening on location, Paul details the unique workflow he employed for Edgar Wright’s music video […]
Dan Lebental, ACE and Peter McNulty, two “nice guy” editors team up to bring back “bad boys” Will Smith and Martin Lawrence in the hit film, Bad Boys For Life. Dan calls in to represent the team and talk about […]
ACE Eddie-winning and Oscar-nominated editor Jinmo Yang reaches out from his edit suite in Seoul, South Korea to talk about his latest film with director Bong Joon Ho, the critically acclaimed Parasite. The film itself has the distinction of being […]
Editor Catherine Haight, ACE is no stranger to the Sundance scene. At the 2018 festival her film Puzzle, made its world premiere. At last year’s 2019 festival it was Amazon Studios’ Troop Zero making its debut. But it would be […]