Editors – Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor’s background and style would be in shaping the series. Kat, for instance, found […]
DISCLAIMER editor, Adam Gough ACE, BFE began his journey with director Alfonso Cuarón over eighteen years ago as an editorial trainee on Cuarón’s CHILDREN OF MEN (2006). In 2018, Adam would co-edit Cuarón’s ROMA, alongside the writer/director. This long-standing […]
Editors – Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE, Sarah C. Reeves ACE DUNE: PROPHECY editors Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE and Sarah C. Reeves ACE joined the new HBO Original Series having plenty […]
Director – William Goldenberg ACE and Editor – Brett M. Reed UNSTOPPABLE director Billy Goldenberg and editor Brett Reed have had a working relationship for over twenty years, going back to their time together on COYOTE UGLY (2000). Since that […]
Editors – Andrew Buckland ACE and Scott Morris A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris came into James Mangold’s latest film being almost completely unknown to one another. Aside from mutual acquaintances, the two had never worked […]
Editors – Claire Simpson and Sam Restivo GLADIATOR 2 editors Claire Simpson and Sam Restivo first teamed up when Sam worked as her assistant editor on the tv series RAISED BY WOLVES (2020). From there, Claire brought Sam as […]
Editor, Myron Kerstein ACE WICKED: PART ONE editor, Myron Kerstein ACE finds himself in the familiar positions of both cutting a musical and also collaborating with director Jon M. Chu. This is Myron’s third musical in a row, following […]
Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job. For better or worse, neither did writer/director Jacques Audiard, himself […]
Editor – Robert Nassau A REAL PAIN editor Robert Nassau might be Brooklyn’s secret cinematic weapon when it comes to finding an editor who knows how to cut not-too-dark dramedies. And the seems to be what writer/director/actor Jesse Eisenberg was […]
