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Editor – Mikkel E.G. Nielsen, ACE
THE BANSHEES OF INISHERIN editor Mikkel E.G. Nielsen, ACE makes his return to The Rough Cut, having previously appeared on the show to talk about the film that would land him an Oscar® for Best Film Editing, SOUND OF METAL (2020). In addition to the delicate challenge of filling the void left by the passing of editor Jon Gregory, director Martin McDonagh’s frequent collaborator in the cutting room, Mikkel was also tasked with a crafting a film that walked a fine line between comedy and drama in a way that only an Irish film could.
THE BANSHEES OF INISHERIN takes place in 1923, on the small fictional Irish isle of Inisherin during the Irish Civil War. Folk musician Colm Doherty abruptly begins ignoring his long-time friend and drinking buddy Pádraic Súilleabháin. Pádraic, though nice and well liked by the islanders, is too dull for Colm who wishes to spend the remainder of his life composing music and doing things that he will be remembered for. Pádraic’s life is destabilized by the loss of one of his few friends; as Pádraic grows increasingly distressed at the rejection, Colm becomes more resistant to his old friend’s attempts to speak to him. Colm eventually gives Pádraic an ultimatum: every time he bothers him or tries to talk with him, he will cut off one of his own left fingers with a pair of sheep shears.
Editing THE BANSHEES OF INISHERIN
In our discussion with THE BANSHEES OF INISHERIN editor Mikkel E.G. Nielsen, ACE we talk about:
- Barely talking to the director
- How less is more
- The award-worthy performance of Jenny the Donkey
- Adopting Barry Keoghan
- Going from Barbie Girl to Banshees
The Credits
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