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Editors – Jason Ballantine ACE and Paul Machliss ACE
While THE FLASH editors Jason Ballantine ACE and Paul Machliss ACE* both hail from Australia, this latest entry in the DCEU would be their first time meeting one another. Both editors have been advancing their careers away from their homeland for quite some time. Jason has worked in LA for the past ten years, while Paul has been in London for the last twenty. The director who would be responsible for bringing these two together is Andy Muschietti, Jason’s director for IT (2017) and IT CHAPTER TWO (2019). The two editors split editing duties pretty much down the middle for THE FLASH, each taking five of the film’s ten reels. One thing that did separate them for much of the film’s development was geography. While Jason was holding down the fort at Warner Brothers Studios in LA, Paul was on location in the UK for seven months, assembling main unit footage with Muschietti. Following production, Machliss would join Jason in LA for six additional months of editing. And it would be six more months before Ballantine would put the final touches on the highly anticipated “metahuman” movie.
Based on the DC Comics character of the same name, THE FLASH is the thirteenth installment in the DC Extended Universe (DCEU). The film is directed by Andy Muschietti from a screenplay by Christina Hodson and stars Ezra Miller as Barry Allen (The Flash) alongside Ben Affleck, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston and Maribel Verdú. In the film, Barry travels back in time to prevent his mother’s death, which traps him in an alternate reality without metahumans. Barry enlists the help of; his younger self, an older Batman and the Kryptonian castaway Supergirl in order to save this world from General Zod and return to his universe.
JASON BALLANTINE ACE
Jason Ballantine began his editing career in the horror genre (one which he would return to often) with the Australian thriller WOLF CREEK (2005). From there he would edit other fright flicks, such as PROM NIGHT (2008), CRUSH (2009) and NEEDLE (2010). But it would be his work on director Andy Muschietti’s adaptation of Stephen King’s IT (2017) and IT: CHAPTER TWO (2019) that would put an exclamation point on Jason’s work in the horror medium. Jason has also previously teamed up with directors Baz Luhrmann and Matthew Vaughn for THE GREAT GATSBY (2013) and THE KING’S MAN (2021) respectively.
PAUL MACHLISS ACE
While known most prominently for his work with Edgar Wright; SPACED (1999-2001), SCOTT PILGRIM VS THE WORLD (2010), THE WORLD’S END (2013), BABY DRIVER (2017) and LAST NIGHT IN SOHO (2021), Paul also edited; the pilot episode of FLEABAG (2016), eighteen episodes of THE IT CROWD (2006-2008) and films such as THE KID WHO WOULD BE KING (2019) and THE GENTLEMEN (2019). For his work on BABY DRIVER, Paul was nominated for an Oscar® alongside co-editor John Amos.
* [Publisher’s Note]
The guests wish to express their regret and apologies for using he/him pronouns in referencing Ezra Miller (they/them). No disrespect was intended toward Ezra or anyone else. This oversight should be attributed to all of the following conditions: jet lag, old age, and recording this interview way too early on a Sunday morning. Thanks for your understanding.
Editing The Flash
In our discussion with THE FLASH editors, Jason Ballantine ACE and Paul Machliss ACE, we talk about:
- Turning up the volume capture way past eleven
- Taking techniques from Baby Driver to a Baby Shower
- Sounds that shouldn’t be heard, but still be felt
- Editors having The Knack for needle drops…until they don’t
- Scoring points off Zack Snyder and Danny Elfman
The Credits
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Hear Jason Ballantine talk about IT Chapter 2 and The Guilty
Listen to Paul Machliss talk about Baby Driver and Last Night in Soho
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