Editor, Stephen Mirrione ACE The Midnight Sky editor, Stephen Mirrione ACE has spent the past twenty-five years building an impressive body of work. Unlike many editors who begin their journey into post production as assistants, Stephen made a name for […]
Hillbilly Elegy editor James Wilcox, ACE joins the Rough Cut to talk about cutting Ron Howard’s new film. James first collaborated with Howard on the series, Genius, and received an ACE Eddie award for his work on the episode, “Einstein […]
In this episode of The Rough Cut, we debut the first in our series of podcasts celebrating the all too often unsung heroes of post production, the assistants! Assistant editing in film and television can be a demanding, but crucial […]
As one of the most revered series in television history, it should come as no surprise the the post team from Breaking Bad would know a thing or two about “breaking in” to the industry. And not just breaking in, […]
Da 5 Bloods editor, Adam Gough is on this edition of The Rough Cut to talk about his work on Spike Lee’s latest film, now streaming on Netflix. For over a decade Adam was sharpening his storytelling skills in the […]
The Trial of the Chicago Seven editor, Alan Baumgarten ACE is on the podcast this week to discuss his new film with writer/director, Aaron Sorkin. This is the second time working together for Alan and Aaron, and since this is […]
Ted Lasso editors, Melissa McCoy and AJ Catoline join this episode of The Rough Cut podcast to tell us about what goes on in the cutting room to make the magic from the locker room. Ted Lasso is an AppleTV+ […]
The Queen’s Gambit editor Michelle Tesoro ACE (House of Cards, When They See Us) first collaborated with writer/director Scott Frank in 2017 for his series, Godless. In fact, The Queen’s Gambit also reunites Michelle with fellow Godless alums Wylie Stateman […]
Inbal B. Lessner, ACE, is an Emmy®- and Eddie-nominated editor and producer. On her latest project, “Seduced: Inside the NXIVM Cult”—which she co-created with her filmmaking partner, director Cecilia Peck—she takes on the roles of lead editor, writer and executive […]
Editor Greg Plotkin’s work brings new meaning to the term “cutting room”. The Blumhouse Productions vet has built a career both editing and directing different styles of films within the horror genre. His efforts cutting Jordan Peele’s breakout film Get […]